SELECTED WORKS
I Crane My Neck to See the Crash
Fantasy Lands
True Crime
F.O.A.D.
The Bite Command is FASS
If the Opioid Crisis was a Haunted House

Evidence
The Bloody Chamber
Especially Cruel, Heinous, Wicked and Depraved
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Special Projects



ABOUT

Maggie Dunlap (b. 1995, Washington, D.C.)
lives and works in Brooklyn, New York.

Royal College of Art, MA Contemporary Art Practice - Critical Practice, 2019–2021
School of Visual Arts, BFA Visual and Critical Studies, 2014–2019

*~𝓟𝓾𝓻𝓮 𝓔𝓿𝓲𝓵 𝓢𝓲𝓷𝓬𝓮 1995~*

WRITING
“A Hard Man is Good to Find” - Forever Mag, Issue IV
“Meth and the Maiden” - Exhibition text for Indifferent Stars, No Gallery
“Pictures With Deep Meaning” - Exhibition text, Village Gallery
“American Trauma Holiday” - Exhibition text for He Will Always Be My Son, Village Gallery
“The Beautiful and Damned: Allan Gardner searches for the nuance lurking beneath the sheen of American Celebrity” - Sleek Magazine

“Chance of Homicide” - NHL Fanzine
“Charlie Fox by Maggie Dunlap” - Young Artists In Conversation
“Bluebeard’s Castle” - The Opioid Crisis Lookbook, Issue 1    
“Hard Dog to Keep on the Porch” - Heavy Traffic Magazine


PRESS
“FANTASY LANDS” - O Fluxo
“Fantasy Lands by Maggie Dunlap & Allan Gardner” - Tzvetnik

“K41 Season: Maggie Dunlap - Murky Presence” - Kaleidoscope Magazine
“Issue 01: Girls on the Internet” - Delude Magazine
“Halloween Special - Maggie Dunlap” - The Editorial Magazine

“Adam Lehrer on Crypto-Transgression in Art” - Amphetamine Sulphate - Human Rights
“Maggie Dunlap [censored]” - Snuff Magazine 

“Anti-Armory: Scenes from Spring/Break” - W Magazine


LINKS
CV
Instagram




maggie.staeger.gore@gmail.com

The soft white underbelly of the net eviscerated for all to see